The most beautiful one-story house. The best projects of one-story houses and cottages. Layout options for one-story houses

Are you thinking about building one-story house? Especially with the projects of the architectural studio "Dobre Dom", which is pleased to present you with a rich offer. All designs of houses on the ground floor imply the construction of an elegant building that pleases the eye, but at the same time remains a functional and comfortable place for the whole family.

Siding and decorative plaster for a cottage

Building without stairs minimizes the problem of wasted space - our architecture studio offers projects that emphasize the spaciousness of a one-story house, which is due to the lack of stairwells and fewer supporting walls. An added plus facilitates communication between household members, which is especially helpful for people who may have mobility difficulties. Easy access to the garden - everything that happens outside is in view from us and a garden door can be installed in almost every room in the house. The building blends in well with the surrounding landscape, it is not overpowering - it will be ideal for large plots and less developed areas. Faster construction - Bungalow design does not take as much time to implement as building a boulevard or attic. This is due to the lack of need to build stairs and walls.

• The location of all rooms on the same level - this is due to the same height of the rooms.
• No stairs - no stairs are needed, as is the case with boulevards or an attic.
• Visually smaller facade - the house seems light and neat.
• Without stairs and ceiling, there are no costs.
• Couples with Babies - Moving quickly around the house makes babysitting easier.
• Elderly people - compared to smoking houses, moving is less tiring.
• Disabled - lack of stairs allows for effective communication.

Distinctive features of beautiful one-story houses

Depends on the degree of difficulty. The harder the house is like a cube, the less we will spend on its construction. Costs are also associated with the choice of a roof, which, due to its surface, will have a higher flow rate than a bunk or attic. Of course, the consistent selection of windows, doors, installations and finishing materials is equally important. However, in in general terms, the cost of building a one-story house will not differ significantly from the costs associated with creating a house with a duplex.

A single level home is perhaps the most natural expression of a home, a classic and traditional design that has been around for thousands of years without losing functionality or aesthetics. For those who are more attentive to practical aspects rather than a pretentious outline, a single-level home is the ideal space that meets all needs and, above all, seems much closer to nature. Here are some small ones on the same level, in a simple design but still full of personality.

The first example is the smallest of our houses with an area of ​​about 73 square meters. This is an ideal house for a young family, which attracts with its simple but beautiful architecture, with columns that border the entrance and a side terrace. In terms of space, the space is simply structured into a living room that opens onto a covered terrace, a separate kitchen that includes a dining area, a bedroom in the back corner and a bathroom. The bridge of the house remains a place that can be organized according to the needs of the owner.

Projects small houses on the same level - classic design with arcades. Second example - cottage with a slightly larger area of ​​109 square meters, reflective in itself. The house comes in the same traditional architecture with a roof in two waters, but in a game of volumetric volumes and lines. The house has a living room, a kitchen with access to the back terrace, two bedrooms, a bathroom and a technical space. In none of the three examples, the builder lists the price of the home, responding only to requests for bids.

Single Level Small Home Designs - North American Inspirational Architecture. Finally, the third project is a house with an area of ​​145 square meters and 116 square meters of utility. This is a house that attracts with its dynamic architecture, energetic, filled with personal forms, stretching from the side through the covered car park. The plan of the house is complex, varied, divided. The living room, which includes the dining area, opens onto the front terrace and then out onto the back kitchen. Two bedrooms and two bathrooms, one with external access, lie to the right in a corner, away from the hustle and bustle of the living quarters.

A spacious technical hall completes the plan of this house. Small house designs on the same level - a fun form and line game. Here we explore the process of realizing this very innovative project, which presented energy in a new way within a new cultural landscape.

Above: Sunny Beach at sunset. The plan seeks to connect our campus with the surrounding community by creating Beautiful places facilitating discovery. And it is from this context of place building, region building, and commitment to sustainability and advanced research that Sunny Lands has evolved. To transform a simple utility field into a ground art installation, we entered an international design competition that asked artists to consider solar panels as their environment and our campus as their canvas.

Attractive home appearance

We recognized that we were providing an opportunity to make art out of something that tended to be somewhat pedestrian and that was increasingly subject to the "Not in my-backyard" hurdle. We also gave them 15 acres to play - a large-scale, contextually nuanced ride, in the midst of a major regeneration zone with meandering streams and vernal pools.

In the end, we sent a short summary of the competition to a large number of the best artists from around the world and received certificates from 23 of these artists. It does not just use special components, or arranges them in a good way, but rethinks the standard action. How did the committee evaluate this project and weigh it against the other finalists?

Diana Balmory, landscape design er and urban designer in New York, provided us with an object framed by landscape. It was serpentine in shape, with a snowdrift metaphor taking the form of a "solar drift". Vito Aconci, an American designer and landscape architect, brought us a very provocative area - a park that was separate and different from any other place on campus, with panels like clouds that floated higher and reflected back hills, valleys and spring pools.

The jury was struck by his brooding response to campus history, geography, and ecology, as he suggested Sunny Land was based in wildlife creek at this site to allow non-invasive treatment of indigenous spring pools. Even when paving the paths to Sunny Beach, Walter envisioned a mowing routine that would establish a rhythm that continues from Sunny Strand and stretches across campus.

Walter took advantage of the part of our invitation that said, "Give us a great entrance to our campus." Could you briefly describe what is happening right now with the landscape around Sunny Beach? The disturbed soils were poor substrate on which to grow the campus. We consider the work as one of the restorative and repair work, as evidenced by the extensive areas of regeneration that we have established. After being formally preserved as lawns, these areas are now free to restore a more functional and frankly beautiful ecology.

We've also added new trees in and around the thread to reinforce the site's geometry. He also turns our mowers into artists, designing them as they cut. Around 400 guests from the university and the surrounding community spilled onto the trails to explore, touch and discover.

Advantages of using projects of one-story houses

It is easy to imagine that "Sunny Beach" gave birth to "reactions" to people and to the landscape itself. You are a witness to this process. Could you describe how solar power has changed life on campus? Each solution tried to balance function with form in order to achieve accessibility. If he had stopped there, abstraction would not have brought a three-dimensional, human experience. Thus, the lowest level bracket is set at a person's height, about 4 feet. You can see around and around him.

As you move through double and triple stacks, there is a rhythm to the landscape. From the inside, everyone is always based on several views and perceptions. From the outside, you don't see the monolith, but staggered, scaling up and down. In addition to what may seem like a purely technical function, the two steel pipes that take up a length of filaments to enclose an extensive network of wiring are also a human element, as visitors come to use them as seating or footholds. In some places, the steel piping folds back so visitors can get up close and touch the panels.

We view this as an active laboratory and open class. We have already invited schoolchildren for tours and convened classes there for disciplines as diverse as architecture, biology and engineering. Here we saw almost 400 guests, young and old, shed on their way to explore, touch and discover.

Sun Wanderer has become a place of interaction, inspiration, learning and enjoyment for our natural world. Some of them counted grassy berms to sit in the sun and enjoy the view of the event. What were the challenges you had to overcome, and what advice can you give to people who would like to follow the same path?

As the design and planning progressed, it became clear that the actual cost of even a conventional design would exceed budget. One of the first compromises was to reduce the total power from 1 megawatt to 750 kilowatts. But negotiations were much more than negotiations. It was inspiring to watch Walter make dozens of critical decisions that could save money on changes, and what changes had to be resisted - on the way to realizing his artistic vision.

Finally, the use of a public design competition is critical. He introduced a rather difficult step into the project, which would otherwise be "off the field". The competition helped us resolve the conflict between those at the university and in the community who saw the original proposed project as "ugly" and those who supported it solely on the basis of its renewable energy development. The competition created a common ground on which both sides could see their interests reflected.